Where did we go wrong
Unable to resolve
Decisions that led to the fall
Reasons to abandon all
What if the air was sulphur
And smoke filled the sky
Grass tainted yellow
Pine bark blackened by tar
Heat rising to fuel this torment
As we set our world aflame
Ground breaking right under our feet
We bid you farewell for now
What if the air was sulphur
Seas concentrated into brine
Rivers dried up and lakes evaporated into sludge
How could this nightmare ever end
What could I do to mend this grim glimpse of violence
You saw but sorrow in its waning form
I never asked you to bring all this suffering with hurtful intent
Into the neutral grounds
For what it’s worth, I gave my everything to make this move
And I intend to see it through
I know it’s not forever, but so is nothing else
I made my plead to you
So leave without a name
This is where our common end begins
Were drowned alive
Descending
Down below
I feel the end
Looming closer than before
Moonlight
Hide me out of sight
Haul my mistakes down with me
I could hear the calls for our funeral
Echoing somewhere across the skies
Fall down when you realize our
Future is bleeding out
I could hear the calls for our funeral
We fade so all that’s beautiful can reign
I could hear the calls for our funeral
Maximum Haardrock. This album is so fun to listen to at work. It has highs and lows, the riffs are catchy, The drums are in your face. Calle really is a riff genius. Anvbisindy
Before Ashen, I thought they were overrated. Deathcore bands seem to have a capacity to evolve quickly. I’ve seen quite a few bands in this genre grow exponentially from one album to the next, and Ashen is a particularly strong example. Metallurgical Fire
Midwestern prog-metal stalwarts go for the throat on their new EP, featuring a roiling cover of the Smashing Pumpkins' “1979.” Bandcamp New & Notable Aug 7, 2019
The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres. Bandcamp Album of the Day Apr 26, 2024
Intense and interesting. Clearly worshipping at the altar of Meshuggah, and while vocals are absent that void is filled by a more intense bottom end, and guitar picking that becomes its own rhythmic instrument.
This is brilliant, but I’d love to see what this guy would do with some artistic collaboration. One man bands can get stuck in one dimension and the potential shown here could be a global phenomenon with just a little tweaking.
Let me finish by saying again, this is brilliant. Lute FP